Piyu makes films about places. She explores connection and communication in an increasingly alienated world. There’s a kind of tenderness she looks for that used to feel closer. 

She finds refuge in the filmmaking process —where communication feels intuitive and purpose-driven, where people are connected through time, labor, and imagination. Formally, she’s drawn to split screen and multi-channel work. She likes the feeling of watching two things at once, holding two realities at the same time – and finding truth not necessarily in the image itself, but somewhere in the distance between them.